susana reisman
  • Portfolios
    • Tonewood, 2015/16
    • Scotland, 2016
    • Japan, 2015
    • On Technology, 2015
    • On Finishing, 2014/15
    • Standardizing Nature: Trees, Wood, Lumber (Part 1), 2013/14
    • Standardizing Nature: Trees, Wood, Lumber (Part 2), 2013/14
    • Domestic Disclosures, (On-going)
    • Berlin, 2010
    • Time Flies, 2009
    • On The Scale Of History, 2007
    • Landscapes, 2006
    • Measuring Tape, 2005
    • Mapping, 2005/06
    • Photosculptures, 2004/05
    • eBay, 2004/05
    • [Kiss], 2004
    • Plastikos, 2002/03
    • Storefronts, 1999
  • Exhibitions
  • Bio + Resume
  • Contact
  • Blog
  • Portfolios
    • Tonewood, 2015/16
    • Scotland, 2016
    • Japan, 2015
    • On Technology, 2015
    • On Finishing, 2014/15
    • Standardizing Nature: Trees, Wood, Lumber (Part 1), 2013/14
    • Standardizing Nature: Trees, Wood, Lumber (Part 2), 2013/14
    • Domestic Disclosures, (On-going)
    • Berlin, 2010
    • Time Flies, 2009
    • On The Scale Of History, 2007
    • Landscapes, 2006
    • Measuring Tape, 2005
    • Mapping, 2005/06
    • Photosculptures, 2004/05
    • eBay, 2004/05
    • [Kiss], 2004
    • Plastikos, 2002/03
    • Storefronts, 1999
  • Exhibitions
  • Bio + Resume
  • Contact
  • Blog

My Work featured in EMERGENCE, a new publication celebrating contemporary Canadian photography

12/22/2009

0 Comments

 
Picture
Emergence: Contemporary Photography in Canada. Edited by Sarah Parsons. Co-published by Gallery 44 and Ryerson University.
My work was featured in EMERGENCE, a new publication by Gallery 44 that celebrates contemporary Canadian photography. It is an attractive volume with solid essays by Matthew Brower, Liz Park, Gabrielle Moser, Marie Fraser and Katy McCormick.

I was selected by Suzy Lake.
Picture
Suzy Lake: "I chose Susana Reisman because of her interest in how we see, counter to assumptions of photographic information. There is a sense of extended duration in her works Camera Lucida and On the Scale of History that allows us to accrue detail towards a subjective experience of her photographs. These works are sequenced to a “panorama” for space or movement, rather than a topical narrative.

The subject matter in both of these series us a staging or sculptural construction of seminal texts on photography. To photographers, our past moves linearly present. Thought becomes material. And this emphasis on materiality brings poetry to “about photography.” Form and content marry."

Susana Reisman, Camera Lucida (Panel 4 - detail), 2007
Susana Reisman, Camera Lucida (Panel 4 - detail), 2007
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Archives

    May 2015
    February 2015
    September 2014
    September 2013
    June 2013
    April 2013
    March 2013
    February 2013
    June 2011
    March 2010
    December 2009
    September 2009
    February 2009
    November 2007
    October 2006

    Categories

    All
    Awards
    Exhibitions
    News
    Publications
    Reviews
    Visual Blog



Online Artist Portfolio | © Susana Reisman 2022  | All Rights Reserved